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    True beauty results from that repose which the mind feels when the eye, the intellect, and the affections are satisfied from the absence of any want.

    -Owen Jones, The Grammar of Ornament
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For my final project in Corporate Identity, I chose one of the logos I designed this quarter and fleshed out its applications to the level of a real company. The logo you see above is adapted from my art movement bouquets. I applied it to an existing tiny hotel in Luxembourg, whose name means “fine arts park.”

After establishing the logo, I created the stationery for the company.

Then I began working on a brand standards manual for the company. This is like a rule book that the designer writes to help the company maintain the strength of their brand. It specifies the colors, typefaces, and sizes they should use, and even shows what not to do with the logo. At the end of the manual, you’ll see five more touchpoints I designed in addition to the stationery.

I packaged it all thus for the in-class critique.



Homework

click to enlargefrom life

click to enlarge

from life

In class

The drawing below was so much fun. I worked faster than I usually do, not stressing much since it was the last class. And… it turned out the most awesome of all of them. Each week, I’ve wanted so badly for my drawing to have the model’s likeness, instead of just being a proportional-but-generic woman. This time it really [almost] does look like her.

Clothing is such a great extension of personality. Her shirt was red and black striped, but we were instructed to look past the pattern and just draw just the folds. That was a challenge! I was just getting used to the effects of light on skin. Fabric is a different beast altogether!

click to enlarge

I’m sad that this class is over, for two reasons (the combination of which has been true of all my favorite classes):

1. We made such great memories in class. Each week, all the personalities blended into a sweet, genuine supportiveness that I can’t even describe… we felt like family.

2. The breakthroughs and discoveries I made on my own were really  significant, as you know if you’ve been around me the last few months! I never thought I’d be able to claim drawing as a skill. I do now, and I’m excited about where it could take me in future projects!



I think languages are like invisible, atmospheric mists. When I step into an English, French, or German-speaking environment, my emotional and mental state changes with each one. To bring form to these very abstract feelings, I painted interiors that feel the same way each language feels to me, then overlaid each scene with my own significant writings. This was my final project for Computer Paint, done in Adobe Photoshop.

Words really detract from the strength of the environmental picture, but people respond differently to spaces. So I’ll give you some hints as to what I’m feeling.

English is clever, mysterious, distinguished, resolute, nuanced…

French is consonant, smothering, warm, aggressive, casual…

German is youthful, clean, geometric, spacious, unassuming, inviting…



Creative Brief

Johnson’s current approach in the United Sates is to soothe new mothers and encourage bonding with their baby. Their website and ads express total serenity and domesticity. There are a lot more people who would find their current approach unexciting, but could still make good use of their products.

What about the parents who are not fearful about harming their child during bathtime, or whose children are perhaps a little bit older? Can we reposition Johnson’s baby products to also reflect a more dynamic, creative parenting style?

Johnson’s Baby products are marketed in different ways in different cultures. The television ads from Latin cultures especially, are very fun and dynamic, with dancing 4-8 year olds and not a parent in sight. One of their taglines loosely translates as “just a touch makes the world a better place.”

So much of the advertising for children’s products in the US capitalizes on parent’s fears. Injecting some fun into the quiet science of Johnson’s would refresh and expand on their current target audience. The new campaign will convey through interesting and unconventional illustration that Johnson’s baby product contribute to a happier, brighter childhood, leading to better life and world.


I hope it’s already evident to you how well this final campaign assignment went, compared to Blockbuster and Chuck E. Cheese’s. Some things changed, namely: I got sick of using stock photography and excited about my new skills from Computer Paint! I decided to blaze my own stylistic trail and found the work infinitely more satisfying.
For these first three illustrations, I let myself be inspired by the specific product, whether bubbly, powdery, or silky. I used photos and paintings as reference for my figures, and tried to choose colors more daring than that of your typical baby palette.
The redesign of the Johnson’s baby bottle was especially fun to work on. I photographed a bottle I found and simulated the rest. The goal was to make the product look and feel more enchanting, like a precious vial.
Have a look at Johnson’s website to really understand the before and after process here.
Johnson’s has put out a great deal of infant health and parenting information. I reimagined what these booklets could look like.
And wouldn’t it be nice if Johnson’s created a personal calendar/journal for parents of newborns, complete with thoughtful writing prompts, age-appropriate development information, and inspiring art? Here you can browse the first few pages.
Last, and pretty much least: a packaging idea for Johnson’s gift baskets!


Homework

Seven heads, as shown in the previous post.

In class

We tried a seated pose. It was difficult! We also spent half the class in deep discussion and rabbit trails, so this drawing will never be finished…

click to enlarge